Why audiobooks? Listening…
• Increases fluency
• Expands listening skills
• Raises reading comprehension
• Enlarges vocabulary
• Boosts pronunciation skills
• Supports struggling readers
• Expands literature experiences for proficient readers
• Improves test scores
Increased fluency & interpretation
• Expert readers model fluent inflection & enunciation within the story’s narrative flow
• Narrator’s voice reveals punctuation, accents, dialects, and cultural vocal patterns
• Listeners hear the story through another reader’s voice, gaining deeper meaning
Audiobooks provide opportunity
• Comprehension level when listening is often two years above reading level, allowing struggling readers, English Language Learners, and those with learning differences to join the community of readers through audiobooks alone or when paired with text.
Building a community of readers
• Audiobooks allow all students access to classroom literature
Time with text = high vocabulary
Audiobook review sources
• AudioFile Magazine
www.audiofilemagazine.com
• Book Links
• Booklist
• Horn Book
• KLIATT
• Library Journal
• Publisher’s Weekly
• School Library Journal
• VOYA
Starting an audiobook collection
• Choose “whole class” Language Arts titles first
• Survey resource teachers for titles & topics
• Decide on interfiled or separate shelving
• Piggyback with Title 1 or other funding groups
• Seek grants from PTO or education foundations
Marketing your audiobooks
• Hook teachers first – survey to see where a need is perceived
• Include audiobooks in displays & booktalks
• Purchase circulating players & rechargeable batteries
• Hold CD ripping, MP3 loading & public library downloading workshops
• Create a listening club
Parents as audiobook partners
• Create pre-holiday break or open house displays of family-friendly audiobooks for travel time listening
• Highlight your audiobook collection in parent newsletters along with research data on audiobooks
• Provide audiobook + large print material lists
• Purchase audiobook titles to supplement parent/child book clubs
Making audiobooks part of the curriculum
• Hook teachers with a long commute on audiobooks
• Lobby for audiobooks fulfilling teacher’s reading assignment quotas
• Have audiobook research reports at-hand
• Include audiobooks in pathfinders, summer reading lists, and classroom topic collections.
Achieving Content Standards with Audiobooks
Music
• Students identify significant contributions of composers and performers to our music heritage.
Music Connections
• What Charlie Heard / Live Oak Media ~ Readalong biography of composer Charles Ives brings to life all of the sounds described and illustrated on the page.
Dramatic Arts
• Students analyze the creative techniques used in creating and performing dramatic/theatrical works and evaluate dramatic/theatrical works using appropriate criteria
Dramatic Arts Connections
• Good Masters! Sweet Ladies! Voices from a Medieval Village / Recorded Books ~ This Newbery-winning title was written to be performed as Reader’s Theater, as modeled by the full cast of narrators.
Visual Arts
• Students understand the impact of visual art on the history, culture, and society from which it emanates.
Visual Arts Connections
• The Pot That Juan Built / Weston Woods ~ Mexican potter Juan Quezada’s artistic process is revealed in a multilayered readalong for all ages.
Social Studies
• Students use knowledge of the purposes, structures and processes of political systems at the local, state, national and international levels to understand that people create systems of government as structures of power and authority to provide order, maintain stability and promote the general welfare.
Social Studies Connections
• Revenge of the Whale / Audio Bookshelf ~
Mesmerizing factual narrative with period sea shanties as musical accompaniment.
Science
• Students demonstrate an understanding of different historical perspectives, scientific approaches and emerging scientific issues associated with the life sciences.
Science Connections
• The Adoration of Jenna Fox / Macmillan Audio ~ Listeners will explore the issues of medical ethics, organ transplants, and the very concept of human existence.
Foreign Language
• Students demonstrate an understanding of insights gained into another culture through the examination of its practices (behaviors), products (tangibles such as monuments, food and literature, and intangibles such as laws and music) and perspectives (attitudes, values, ideas, world views).
Foreign Language Connections
• Chato’s Kitchen / Live Oak Media ~ Narrator Willie Colon voice and authentic background music provide the perfect Latino cultural flavor to this title.
Mathematics
• Students demonstrate number sense, including an understanding of number systems and operations and how they relate to one another.
Mathematics Connections
• How Much is a Million? / Weston Woods ~ Audio and illustrations combine to illuminate the concept of large numbers.
Technology
• Students use computer and multimedia resources to support their learning
• Identify what information is, and recognize that it can be represented in a variety of ways
Technology Connections
• Frankenstein / Tantor Media ~ Tantor’s Unabridged Classics series includes both the audiobook read by a top narration plus the entire book as a PDF file that may be read on computer or hand-held reader, allowing full-text search & print capabilities.
Language Arts
• Students define and investigate self-selected or assigned issues, topics and problems. They locate, select and make use of relevant information from a variety of media, reference and technological sources.
Language Arts Connections
• Duck for President / Weston Woods ~ A title that can be enjoyed by all ages and at many levels, made even more enjoyable by Randy Travis’ witty narration & musical accompaniment.
Language Arts
• Students acquire vocabulary through exposure to language-rich situations, such as reading books and other texts and conversing with adults and peers.
Language Arts Connections
• Blues Journey / Like Oak Media ~ A stunning readalong that recreates the title, adding original blues music, with the poem that trace the history of the Blues sung as lyrics.
Evaluating Audiobooks
Use the titles below to model the bulleted evaluative benchmarks
The Narrator as Author’s Voice
• The reading should be authentic and appropriate to content, with voices that match the time and place of the text as well as characters’ gender, ages, and moods.
• The reader should use well-placed inflections and tones and convey the meaning of the text through engaging expression, emotion, and energy.
• The reader should maintain and differentiate character voices, accents, or dialects consistently. Narrative descriptions ("He murmured," for example) should be read appropriately.
• A single performer may read in a straightforward manner using his or her natural voice with suitable inflection and tone. Or the reader may vary his or her voice to change tone, inflection, accent, and emphasis to represent multiple characters. The reading might also be a combination of the two styles, with major or pivotal characters receiving particular emphasis. Some audios feature multiple narrators taking on specific roles and characters or full cast dramatizations.
• Recommended titles: (* notes Odyssey Award title)
* Harry Potter and the Deathly Hallows / JK Rowling / Listening Library
Born to Rock / Gordon Korman / Brilliance Audio
Boy Meets Boy / David Levithan / Full Cast Audio
Clementine / Sara Pennypacker / Recorded Books
The Curious Incidence of the Dog in the Night-time / Mark Haddon / Recorded Books
Drums, Girls, and Dangerous Pie / Jordan Sonnenblick / Scholastic Audio
The Girls/ Amy Koss/ Full Cast Audio
Ish / Peter Reynolds / Weston Woods
Rotten Ralph Helps Out / Jack Gantos / Live Oak Media
So Much to Tell You / James Marsden / Bolinda Audio
Wolf Brother / Michelle Paver / HarperChildren’s Audio
Window to Culture / Reflection of Region
• Cultures & ethnicities are presented authentically and without stereotype.
• Geographic terms, foreign terminology, and other challenging phrases and words should be pronounced correctly and with ease.
• Musical features match the culture and region portrayed.
• Recommended titles: (* notes Odyssey Award title)
* Bloody Jack / L.A. Meyer / Listen & Live Audio
Bindi Babes / Narinder Dhami / Listening Library
The Cay / Theodore Taylor / Listening Library
Does My Head Look Big in This? / Randa Abdel-Fattah / Bolinda Audio
Homeless Bird / Gloria Whelan / Listening Library
The No. 1 Ladies’ Detective Agency / Alexander McCall Smith / Recorded Books
A Pack of Lies / Geraldine McCaughrean / BBC Audiobooks America
The Power of One / Bryce Courtenay / Bolinda Audio
When My Name Was Keoko / Linda Sue Park / Recorded Books
Whale Rider / Witi Ihimaera / Bolinda Audio
Blues Journey / Walter Dean Myers / Live Oak Media
Secret Life of Bees / Sue Monk Kidd / HighBridge Company
Sammy and Juliana in Hollywood / Benjamin Alire Saenz / Recorded Books
To Kill a Mockingbird / Harper Lee / Caedmon
Dairy Queen / Catherine Gilbert Murdock / Listening Library
Bucking the Sarge / Christopher Paul Curtis / Listening Library
Parrot in the Oven / Victor Martinez / Harper Audio
Behind the Booth: Production Quality
• Quality productions maintain a clean, crisp sound that allows for periods of silence and a range of dynamics, without affecting volume levels.
• The recording should be free of sibilant or plosive microphone pick-ups. Distractions result if the reader moves off the microphone, has an overly dry or juicy mouth, or can be heard swallowing.
• Sloppy production may result in titles that are too loud or intense, have missing or repeated text segments, show obvious dubbing or noticeable time differences in recording sessions, or contain abrupt or lengthy chapter or line breaks.
• The packaging should correctly note title, author, and readers’ names as well as accurate running times or notice of abridgement.
• Readalongs (picture book and audio sets) require additional evaluative criteria. Because the intent is for youngsters to follow along with the picture book while listening, there should be no mismatches between the words, pictures, and sound effects. Page turn signals are usually an option and these cues should allow time for young listeners to follow the text and explore the illustrations.
• Recommended titles: (* notes Odyssey Award title)
*Jazz / Walter Dean Myers / Live Oak Media
(Fifteen people worked for five months to produce the Odyssey Award-winning 43 minute audiobook!)
Journey of the One & Only Declaration of Independence / Judith St. George / Weston Woods
The Goose Girl / Shannon Hale / Full Cast Audio
Peter and the Starcatchers / Dave Barry & Ridley Pearson / Brilliance Audio
Seven Blind Mice / Ed Young / Weston Woods
The One and Only Shrek / William Steig / Macmillan Young Listeners
The Golden Compass / Philip Pullman / Listening Library
Gifts & Goodies: Audio Extras
• Music may be used as an introduction or to delineate mood, setting, or time changes. The background music must be unobtrusive and not interrupt the narrative flow.
• If sound effects are used, they serve to subtly enhance the production, rather than distract.
• Bonus features include author interviews, critical essays, or other supplemental audio materials.
• Added content may be informational booklets, links to web-based material, games or computer files on disk, or graphic materials such as illustrations or photographs.
• Recommended titles: (* notes Odyssey Award title)
*Dooby Dooby Moo / Doreen Cronin / Weston Woods
*Treasure Island / Robert Louis Stevenson / Listening Library
Eagle of the Ninth / Rosemary Sutcliff / Naxos Audio
Fairest / Gail Carson Levine / Full Cast Audio
Hitler Youth / Susan Campbell Bartoletti / Listening Library
I Am Not Joey Pigza / Jack Gantos / Listening Library
The Invention of Hugo Cabret / Brian Selznick / Scholastic Audiobooks
King for Kids / Clayborne Carson, ed. / Hachette Audio
Mike Mulligan and His Steam Shovel / Virginia Lee Burton / Magic Maestro Music
Poets' Corner: The One-and-only Poetry Book for the Whole Family / John Lithgow, ed. / Grand Central Publishing
Revenge of the Whale / Nathaniel Philbrick / Audio Bookshelf
Series of Unfortunate Events / Lemony Snicket / HarperChildren’s Audio
The Wall and the Wing / Laura Ruby/ Brilliance Audio
When Marian Sang / Pam Munoz Ryan / Live Oak Media
Breaking the Wall: The Art of the Audiobook
• The audiobook must stand alone as a fully-realized expression of the author’s intent and meaning.
• The mark of an excellent audiobook is one in which the wall of performance is removed so that listeners fall completely into the audiobook experience.
• Recommended titles: (* notes Odyssey Award title)
*Skulduggery Pleasant / Derek Landy / HarperChildren’s Audio
Before I Die / Jenny Downham /Listening Library
Day of Tears / Julius Lester / Recorded Books
The Book Thief / Markus Zusak / Listening Library
Buddha Boy / Kathe Koja / Full Cast Audio
Dead Fathers Club / Matt Haig / HighBridge Audio
Elijah of Buxton / Christopher Paul Curtis / Listening Library
I, Coriander / Sally Gardner / Listening Library
Keturah and Lord Death / Martine Leavitt / Recorded Books
Lon Po Po / Ed Young / Weston Woods
Private Peaceful / Michael Morpurgo / Recorded Books
The Wee Free Men / Terry Pratchett / HarperChildren’s Audio
Presented by Mary Burkey mburkey@columbus.rr.com & Francisca Goldsmith fgoldsmith@gmail.com, August 4, 2008
1 comment:
Mary and Francisca,
Thanks for sharing these STUPENDOUS notes! Sounds like you rocked the IASL conference. Wish I could be there. Enjoy yourselves--
Sylvia
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